"Rock And Roll Music" (Berry) - John jams on this song on day 4, thinking of their live tour in 1966. "Across The Universe" (The Beatles) - another early stage of a great Beatles song that makes it on their last album.
"Maxwell's Silver Hammer" (The Beatles) - Paul finally receives the anvil he wanted for this tune and the band whistles to this playful tune, on day 4. "Get Back" will become the Beatles' next single and one of their most popular songs. "Get Back" (The Beatles) - Paul literally creates this song from scratch in front of the camera as he tries to find new ideas. Afterward, they carry on with "Don't Let Me Down" and "Two Of Us." "You Wear Your Women Out", "My Imagination" (The Beatles) - Paul jams hard to start the new day with energy. "I'm So Tired" (The Beatles) - Paul sings this as a joke to the fact that they were already tired of trying to find new ideas. "All Things Must Pass" (George Harrison) - a song which arguably became George Harrison's most famous solo song was first presented by George to the band in the Twickenham studios in 1969. "Gimme Some Truth" (John Lennon) - Paul suggests finishing a song he and John had started years back. "Ob - La - Di Ob - La - Da" outtake (The Beatles), "What Do You Want To Make Those Eyes At Me For?" (The Beatles), "The Harry Lime Theme from The Third Man" (Anton Karas) - the band plays with some more ideas on their second day in the studio. "One After 909" (The Beatles) - the band reinvents an old tune into a strong song that will make it on the new albums. "Just Fun" (Paul McCartney) "Because I Know You Love Me So" (Lennon/McCartney), "Won't You Please Say Goodbye" (Lennon/McCartney) - the band is rushed to find ideas, so they play some of their old tunes. "Taking A Trip To Carolina" (Richard Starkey) - Ringo takes over the piano and the band has a laugh over this tune. "Two Of Us" (The Beatles) - Paul leads this song as the band rehearses this early version of the song. Goode" (Chuck Berry), "Quinn The Eskimo" (Bob Dylan), "I Shall Be Released" (Bob Dylan) - the band plays around with these tunes as they search for ideas. "I've Got A Feeling" (The Beatles) - Paul sings this song during the band's rehearsals on their first day in the studio. "Don't Let Me Down" (The Beatles) - played in a very initial stage, as the viewers learn The Beatles must write and rehearse 14 new songs in just two weeks, before recording them in front of an audience. "Jealous Guy" Evolution (John Lennon) - throughout the series, John plays with this song, who he initially calls "On The Road To Marrakesh." Beatles fans know that John eventually releases this song on one of his solo albums as "Jealous Guy." In 1968, they record a live version of the song and decide to record their next album, Let It Be, in front of an audience. "Hey Jude" (The Beatles) - the band is now in their recording studio. "While My Guitar Gently Weeps" and "Blackbird" (The Beatles) - The Beatles are setting up Apple Records and they start recording, sometimes separately. "Magical Mystery Tour" and "I Am The Walrus" (The Beatles) - the two psychedelic songs play as The Beatles decide to manage themselves and go to India for a spiritual and creative journey. They often start as ramblings, continue with John or Paul finding funny lyrics for the tune, then end with a more serious process of deciding on the rhythm, the lyrics, and the solos.
Perhaps the most valuable part of The Beatles: Get Back is the opportunity the viewers get to listen to John, Paul, George, and Ringo writing their songs. Within a single decade, they explored dozens of styles and instruments and created sounds that inspired musicians of every genre and generation. The Beatles are regarded as the most influential band to date. Jackson wanted to reuse this footage to give a more upbeat interpretation of The Beatles' last months. The Beatles: Get Back features an extremely complex soundtrack that takes the viewers through The Beatles' last two albums, Abbey Road and Let It Be, as well as through the band's last year together, during which growing tensions went hand-in-hand with more playful moments. For his three-part docuseries, Lord Of The Rings' Peter Jackson used old footage, initially recorded by Michael Lindsay-Hogg for his 1970 Let It Be documentary.